The International Contemporary Ensemble and conductor & percussionist Steve Schick will give the world of Zosha’s new work for solo percussion, chamber ensemble, and electronics. The concert will be at Roulette Intermedium in Brooklyn, NY. More details forthcoming.

Pianist Michael Sheppard will perform Zosha’s The Untellable Hour of Quiet at the 2024 Cabrillo Festival Donors Concert on July 28 at 7:00pm. The concert will take place at the Santa Cruz Civic Auditorium and also features works by Wynton Marsalis, Peter Schickele, Lera Auerbach, Iván Enrique Rodríguez, and Lou Harrison.

The Talea Ensemble will perform Zosha’s La forma dello spazio (2010) at Bowdoin International Music Festival’s Gamper Festival of Contemporary Music. The concert also includes works by Anthony Cheung, Olga Neuwirth, Andile Khumalo, and Derek Bermel. James Baker conducts.

More info & tickets here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Ferme Cadet Roussel in Mont-Sant Grégoire, Quebec. This concert marks the launch of Les Concerts St. Grégoire.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Les Grands Ballets Canadiens in Montréal, Quebec.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at McGill University’s Schulich School of Music in Montréal, Quebec.

RESILIENCE is inspired by the musical legacy of Béla Bartók. More info on the performance here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Signet Society House at Harvard University, in collaboration with Storyboard P. More info forthcoming.

RESILIENCE is inspired by the musical legacy of Béla Bartók. More info on the event here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Barnard College at Columbia University, as a workshop/performance in collaboration with Barnard Movement Lab. More info forthcoming.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at the University of Canterbury. More info forthcoming.

Zosha has written a new work for the Los Angeles Philharmonic that will receive its world premiere on April 16 by the LAPhil New Music Group conducted by John Adams. Titled Noctiluca, the work is scored for 8 celli, accordion, piano, and percussion. The program also includes the LA Phil Etudes: Book I and a work by Anthony Davis, with soloists Anthony McGill and Earl Howard.

Zosha will also participate in LAPhil’s pre-concert talk series, Upbeat Live, at 7:00pm prior to the performance, moderated by Sarah Cahill.

More info & tickets here.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at Northern Illinois University. The program also includes works by Chris Mercer, Kotoka Suzuki, David Bithell, Nicole Lizée, and Javier Álvarez.

More info and tickets here.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at Northwestern’s Bienen School of Music. The program also includes works by Chris Mercer, Kotoka Suzuki, David Bithell, Nicole Lizée, and Javier Álvarez.

This is a free event. More info here.

The Orchestre symphonique de Montréal (OSM) will perform Zosha’s In the Half-Light, a song cycle for soprano and orchestra written for Barbara Hannigan, with a libretto by Tash Aw. The concerts will be on February 28 and 29, 2024, conducted by Rafael Payare. More details here.

The Vancouver Symphony Orchestra, conducted by Earl Lee, performs Zosha’s Pentimento on February 24, 2024 at the Chan Centre for the Performing Arts. More info and tickets here.

Pianist and composer Chen-Hui Jen performs Zosha’s The Untellable Hour of Quiet in a concert of cutting-edge music for cello (Jason Calloway), piano, and electronics (Jacob Sudol) as part of the XXVII New Music Miami ISCM Festival. A pre-concert discussion with the artists will also take place at 7:00pm.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at Vanderbilt University’s Blair guest artist series.

This is a free event. More info here.

Zosha has created a new arrangement of her work Sprung Testament (originally written for violin and piano) for flute and piano, which will be performed by flutist Geneviève Savoie and pianist Fabienne Gosselin, as part of E27 Musiques Nouvelles. The concert will take place in Québec City and include works by Valerie Coleman, Rachel Laurin, Jocelyn Morlock and Kaija Saariaho. More details forthcoming.

The Symphony Nova Scotia, conducted by Karl Hirzer, performs Zosha’s Pentimento on January 11, 2024, which marks the work’s Canadian premiere. More info forthcoming.

The Edmonton Symphony Orchestra will perform Zosha’s time>>T. - - I. - - M.(time) - - E on November 30, 2023 at 7:30pm at the Winspear Centre. The program will also include Derrick Skye’s Flames Nurtured the Rose, Esa-Pekka Salonen’s Saltat sobrius: Fantasy upon Sederunt Principes, and the world premiere of a work by Ben Gartly. More details forthcoming.

Violinist Olivia De Prato performs a program featuring new works for violin and electronics. The concert celebrates the recent release of her two solo albums Panorama (New Focus Recordings) and I, A​.​M. – Artist Mother Project (New World Records). Balconies by UK-based composer Samantha Fernando receives its World Premiere, while Zosha’s The Dream Feed is presented in the UK for the first time. The Dream Feed explores the intersection of the role of motherhood and the pursuit of artistic endeavours, addressing a theme closely aligned to De Prato’s own experience and creative curiosities.

Canadian violinist Emmanuel Vukovich celebrates his debut album release, RESILIENCE, at the Canadian Music Centre in Toronto on November 10, 2023 at 6pm. More info here.

The event features Canadian artists, including Zosha’s Patina for solo violin, pianist Katherine Dowling and baritone Philippe Sly performing Dinuk Wijeratne’s Sonata for Violin & Piano,  and a world premiere of Sheila Silver’s Resilient Earth Caprices.

Inspired by Béla Bartók’s legacy of cross-cultural musical exploration, RESILIENCE centers around Bartok’s monumental Solo Violin Sonata and also includes a selection of Bartok’s Turkish & Serbo-Croatian Folk & Peasant Melodies arranged by Vukovich.

Zosha’s The Thinking Eye for solo piano will be performed at Adam Sherkin’s “Composers in Play” series as part of Piano Lunaire on October 28, 2023 at Tenri Cultural Institute in NYC. More details forthcoming.

UToronto’s Contemporary Music Ensemble (CME) will perform Zosha’s time>>T. - - I. - - M.(time) - - E on October 24 at Walter Hall. More info here.

Zosha’s The Thinking Eye and The Untellable Hour of Quiet for solo piano will be performed at Adam Sherkin’s “Composers in Play” series on October 20, 2023 (evening time TBD) at Toronto’s Canadian Music Center. With works by Di Castri, Ricketts, Saariaho, Suzuki, and Sherkin.

Violinist Olivia de Prato performs at a concert alongside bass clarinetist Anna Koch at Vienna’s St. Rupert’s Church. Olivia’s program celebrates the recent release of de Prato’s album, I A.M. - Artist Mother Project, which explores the intersection of the role of motherhood and the pursuit of artistic endeavors, including Zosha’s The Dream Feed, which Olivia also performs in concert. The program also features BASSticcio, a multimedia microcosm of contemporary works for solo bass clarinet.

More info and tickets here.

Two of Zosha’s compositions for solo piano, Anssi de suite… and The Thinking Eye, will be presented as part of Columbia Global Centers | Paris Reid Hall’s reopening and dedication ceremony in Paris, France on June 8. President Lee Bollinger will be a featured speaker, with the Grande Salle renamed for Paul LeClerc, the past director of the Center, and his wife. More info forthcoming.