The International Contemporary Ensemble and conductor & percussionist Steve Schick will give the world of Zosha’s new work for solo percussion, chamber ensemble, and electronics. The concert will be at Roulette Intermedium in Brooklyn, NY. More details forthcoming.

Zosha has written a new work for the Los Angeles Philharmonic that will receive its world premiere on April 16 by the LAPhil New Music Group conducted by John Adams. Titled Noctiluca, the work is scored for 8 celli, accordion, piano, and percussion. The program also includes the LA Phil Etudes: Book I and a work by Anthony Davis, with soloists Anthony McGill and Earl Howard.

Zosha will also participate in LAPhil’s pre-concert talk series, Upbeat Live, at 7:00pm prior to the performance, moderated by Sarah Cahill.

More info & tickets here.

Violinist Olivia De Prato performs a program featuring new works for violin and electronics. The concert celebrates the recent release of her two solo albums Panorama (New Focus Recordings) and I, A​.​M. – Artist Mother Project (New World Records). Balconies by UK-based composer Samantha Fernando receives its World Premiere, while Zosha’s The Dream Feed is presented in the UK for the first time. The Dream Feed explores the intersection of the role of motherhood and the pursuit of artistic endeavours, addressing a theme closely aligned to De Prato’s own experience and creative curiosities.

Zosha Di Castri has been commissioned by the Chamber Music Society of Lincoln Center to write a work for clarinet, violin, cello, piano, and digital keyboard. Entitled Hypha: Five Miniatures for Suzanne Simard, the piece will receive its world premiere on December 8, 2022 at 7:30pm at Lincoln Center's Rose Studio and will also be livestreamed. CMS artists Mika Sasaki (piano), Kristen Lee (violin), Mihai Marica (cello), and Alexander Fiterstein (clarinet) will perform.

The title refers to one of the threadlike filaments forming the mycelium, an underground fungal network connecting the roots of trees. Simard’s pioneering scientific work, which revealed how these webs facilitate some form of intelligent communication between trees in forests, helped inspire the piece. "I’d been thinking a lot about trees," says Di Castri, "not only the texture of their bark, branching arms, and roots, but also their resilience and adaptability—growing through abandoned buildings and breaking through sidewalks—I was fascinated by their deep subterranean connections and their abilities to recover and sustain one another." Although the connection between these themes and the music is abstract, Di Castri says, 'the music is made of micro-gestures shared across the movements and musicians, interwoven in a way that could suggest such networks."

For tickets and livestream information, see here.

Zosha’s new work for the Chicago Center for Contemporary Composition’s Grossman Ensemble will receive its world premiere on May 20, 2022 at UChicago’s Logan Performance Hall. The Ensemble’s 13 members exclusively perform new works from leading and emerging composers, engaging in a unique, creative workshopping process focusing on interaction between composers and musicians.

The ensemble workshops and performs 12 world premiere works by commissioned guest composers, University of Chicago faculty, and students each season.

More concert details forthcoming.

JACK Quartet performs Zosha’s String Quartet No. 1 in Mexico City, Mexico, as part of Festival Vértice, as part of the ensemble’s 2018-19 quartet tour. Program also includes pieces by Ligeti, Garcia Islas, and John Zorn.

The JACK Quartet and members of the Lucerne Festival alumni will give the American premiere of Zosha's Octet (2018) at SoundLAB at the Philadelphia Orchestra's Barnes-Stokowski Festival Program. The program also includes works by Wang Lu, Boulez, Manoury, and George Benjamin.

Alarm Will Sound will give the American premiere of Zosha's Phonotographie at the 2018 TimeSpans Festival.

Zosha's Dear Life is given its American premiere by the Cabrillo Festival Orchestra in Santa Cruz, California, with soprano Mary Mackenzie, at the opening concert of the 2018 Cabrillo Festival of Contemporary Music.

Patina for solo violin gets its West Coast premiere at UC Santa Barbara by violinist Jenny Koh, as part of her Shared Madness series.